Author Archive for Scooter

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The Good Son

Starring: Macauley Culkin, Elijah Wood

Macauley Culkin and Elijah Wood star in this thriller about murder and family values. Macauley kills (or tries to kill) all of his siblings, and Elijah tries to stop him. Now which one was the Good Son? Probably half of the Culkin children make some sort of appearance in this film, watch for them! Particularly the framed photo of the dead son in the bathtub with a rubber duckie that’s on the piano. Hmm, the dead son died in the bathtub, is this a morbid picture to have on your piano, or what?

This film is a must for anyone who’s fantasized about deleting pesky younger siblings, but not acted because such annoying forces as morality and the law got in the way.

Hunchback

Starring: Mandy Patinkin, Richard Harris

Someone left the baby out in the rain…and he grew up to be a hunchback! Richard Harris stars as Dom Frollo, the Monsignor who takes care of the baby and lusts after/hates Esmeralda the gypsy. Mandy Patinkin is the lovable Quasimoto himself. A slightly draggy made-for-tv movie based on the cheery book by Victor Hugo. I didn’t actually read the book, so I don’t know how accurate this rendition of it was. But where are the singing gargoyles?

Ice Castles

Starring: Lynn-Holly Johnson

Lexi is a small town girl with a lot of ice skating talent. She gets discovered by a big ice skating talent agent and goes to the big city where she has lots of adventures, including going blind. We see her overcome adversity in a touching way.

Lee, my mom’s hippie burnout friend, watched this movie on TV and cried. He blamed it on a certain frequency of vibrations that the filmmakers put into the soundtrack to make the audience cry. Er…yeah.

A great feelgood cheesy tearjerker. Sometimes we all need a nice 100% predictable film to sit in front of the tube and pick on!

I Know What You Did Last Summer

Starring: that chick from TV

So you thought the slasher horror film era was dead? You were right! I mean, No, here’s a another one.

Basically every single thing about this movie is 100% predictable, except where the film takes place. The anonymous letter to the main character seems to be addressed to Connecticut, but the license plates say North Carolina. The town is called Southport, but the main marching band is from Port Brunswick…I was confused. But this was about the only confusing thing- the rest of the movie was completely laid out for you- Don’t try to analyze the motives for the killings, it’ll only leave you more dissatisfied.

This was based on a book by Lois Duncan, who was my absolute favorite author when I was 12. I can’t believe she’d ever write a book like this!

It Takes Two

Starring: Kirsty Alley, Steve Guttenburg, Olson Twins

Who could resist a film starring Kirsty Alley, Steve Guttenburg AND the Olson Twins? You know you can’t, so read on.

A poor orphan girl goes to a summer camp across the lawn from where a rich girl lives. But wait! These girls turn out to be “Identical twin strangers!” In a parable of self-discovery, these girls try to pair up the poor twin’s equally poor foster mother with the rich twin’s lonely rich dad. The “twins” switch places, and hilarity ensues.

Sound like the “Parent Trap” yet? The major difference is, since the girls are played by actual twins, we don’t get the fun of seeing Hayley Mills hug stunt doubles and do singing numbers with herself.

Atomic Train

Columbine? JonBenet Ramsey? Ha! Colorado’s ain’t seen nothin’ yet!
Starring: Rob Lowe, Kristin Davis, Esai Morales, Sean Smith

We open on gratuitous shots of smoldering train wrecks, complete with fake TV coverage of them. Then we see a school bus that just happens to stall out on a railroad track survive a near-miss with a train whose brakes are fried. What does this have to do with Atomic Trains? I think it’s setting up the fact that all the trains in this movie are in crappy condition. This is central to the first 2/3 of the plot.

The first 2/3 of the plot begins when the bad (you can tell by his trench coat and goatee) money-grubbing head of a shipping company puts an ancient (and armed) Russian nuclear bomb aboard a train headed for Denver. He lists the package as being “caviar” in order to avoid having to have it properly shipped and insured. He makes sure it’s cozily packed among crates of sodium and other highly volatile chemicals, on the car adjoining a flatbed loaded with barrels of nuclear waste and other explosive chemicals (as well as crates ominously marked “zirconium.”) Uh-oh! The brakes on the train are gone! It’s going to crash, with all of its crew aboard, and detonate the bomb! What are we going to do? Well for starters, we can learn the histories of everyone involved, and play “Guess the Goner:” The Token Black Guy on the way to his wedding is going to get it for sure {Rule of Movie Making #213: Token Black Guys are always among the first to go}. The guy with the grandkids might make it, but the red-haired rookie is definitely dead meat.

Meanwhile, John Seger (Lowe) Our Protagonist, an agent for the NTSB (we don’t learn what this is an acronym for until the film is almost over. I think it’s National Train Safety Board or something) is having domestic troubles. His wife’s ex-husband (Morales) is a pain in the butt, his attempts at bonding with his step son (the revoltingly angelic Sean Smith) are not flying too well, and he can’t pry his attitude-laden teenage daughter loose from her Aryan Hanson-esque boyfriend. Things couldn’t get any worse– until he gets recruited to help stop the Atomic Train.

John must then perform all sorts of death-defying feats in order to try to prevent nuclear devastation. He climbs down a rope ladder from a helicopter onto a speeding train. He leaps from one speeding train to another. Unfortunately, no matter how many times he defies the laws of gravity, John can’t make the train stop. The train speeds along unfettered, causing the rest of the train crew members to seriously injure themselves by doing dangerous things like falling off chairs.

The President of the US (Edward Herrmann, who had lots of leadership experience playing FDR in Annie), gets involved in this crisis. Tense scenes between the Leader of the Free World and his aging staff erupt as Mr. Pres. tries to act in the best interest of his people in the face of adversity. Will derailing the train save the city? Will he have the Air Force shoot missiles at the train to save it? If the president had only listened to me shouting at the screen, he could have solved the problem in the first 15 minutes of the movie. Of course, if he had been smart enough to prevent unstable armed nuclear warheads from being transported on old defective trains, we could have spent 2 1/2 hours doing something more constructive. but such was not the case.

The president orders the train derailed, where the toxic and volatile chemicals ignite, threatening to detonate the nuclear bomb. Luckily, the chief of police, Token Black guy #2, is an expert at diffusing aged Russian atomic bombs. Can he save Denver in time? Are you on the edge of your seat yet? Ok, I’m going to spoil the next part. It’s fairly obvious, though, because we’re only up to the first 2/3 of the movie now. As the Laws of Moviemaking are strictly adhered to, Token Black Guy #2 is blown to smithereens. Had he been a white woman, he probably would have de-fused the bomb in time and saved the town, the universe, and his dog. Unfortunately, he couldn’t overcome the Plight Of the Token Movie Black Guy, and, along with the city of Denver, in a blinding explosion of stock footage proportions, was annihilated.

This brings us to the last third of the film– the Aftermath of Destruction. John must now reunite his family and save all from the strips of newspaper falling from the sky– I mean fallout. Luckily, John and his family have survived the nuclear blast by hiding out in a stack of cement culverts that were able to block the nuclear wind. They must now get to a refugee camp. But how? all of the vehicles built after 1979 are useless due to their now fried computer chips! They must now split up– Bratty Teen girl and Angelic Boy go with John’s wife’s ex-husband on a hotwired vintage Harley. Teenage Girl’s wimpy dying boyfriend and John’s wife go with a priest in a school bus full of refugees. Conveniently, the driver of a nice old MG dies at the wheel right in front of John. He jumps in the car and races to catch up with the kids & ex-husband, as they head for a shortcut through the Abandoned Mine.

Luckily, the electricity is still on at the abandoned mine, so the lights are all on. They allow everyone to happily bond before the Ex-husband falls into a mine shaft and die while saving his son. More perilous stuff happens, everyone is reunited, the dying boyfriend snaps out of his coma, and everyone participates in a barn raising. The End.

Wow. That’s all I can say. This was 2 disaster movies in one! This is a pure, unadulterated 2 1/2 hours of low budget made-for-TV cheese. It’s brilliant! You’ll stare in wonderment when the Ex-husband has a showdown with some mean militia members! You’ll be at the edge of your seat as Token Black Guy #2 races to de-fuse the atomic bomb while his feet are aflame! You’ll ask yourself “what were the filmmakers thinking? Why weren’t they working on a sequel to the Nancy Kerrigan Story?”

Grease

OK, Grease is the word, but what does it have to do with the movie?
Starring: Olivia Newton-John, John Travolta, Stockard Channing

From the opening scene on a beach where star-crossed lovers frolic in the waves to a cheesy rendition of “Love is a Many-Splendored Thing”, to the end where they drive off into the clouds in a Greased-lightening powered “pussy wagon,” this film is packed with more cheese than the state of Wisconsin. Haven’t you always wanted to see a nostalgic look at the ’50s, as perceived in the ’70s? It’s kind of like a long episode of Happy Days, only with more gratuitous scenes involving The Hustle. Be sure to get the 20th Anniversary Edition, which features the cast members endlessly rambling on about the social importance of this film.

We follow the senior year of summer lovers Sandy (Newton-John) and Danny (Travolta), as they race cars, and try to forget that they’re hopelessly devoted to each other. You see, in a fit of macho-ness, Danny dissed Sandy at a football game. He feels terrible that he lost her, yet his desire to uphold his tough image keeps him from sharing his true feelings. Alas, Sandy takes this to mean that he doesn’t care. But it was never meant to be. Sandy is a goody-two-shoes proper virginal kinda girl, and Danny is a tough greaser type who spends his spare time souping up old cars so that they run like “greased lightning” and then racing them against hoods from rival gangs.

Basically, that’s the movie. Except for the musical numbers. Don’t forget them! Don’t miss “Beauty School Dropout,” where Frankie Avalon gets to prance around amongst a chorus line of beauty scholars with giant stacks of metallic rollers on their heads. Dr Who aliens watch out! Their head gear would put the lowest budget British sci-fi series to shame! And don’t miss “Greased Lightning,” the homoerotic ode to car repair, as Danny and friends prance about in sparkly Devo-esque shop suits, crooning about their fantasy “fuel injection cutoffs and chrome plated rods oh yeah.”

I think this movie shaped a generation. This was not my generation, however, so I really don’t understand the appeal. I have met people who can recall the first time they saw this film, who their date was, and what they were wearing. It’s sort of scary. I mean, the basic moral of this Baby Boomer nostalgia trip is that things will all work out if only you dress like a disco slut. Chang chang, changetty chang choo-bop.

The Magic Flute

Pa pa pa papapapap papapa Papageno!
Starring: Josef Köstlinger, Håkon Hagegård, Ulrik Cold, Irma Urrila

What kind of monsters could sit there and make fun of Mozart’s magnum opus, The Magic Flute? What kind of monsters could rank on the masterpieces of Ingmar Bergman? Scooter and Krustee can! I love Bergman films, and I like a good Mozart opera as much as anyone, but really, operas are about the cheesiest form of entertainment around! Take corny improbable plots and repetitive music, and there you have it!

I went into this movie thinking, what can I say about it? It’s the filming of a staged production of the Magic Flute. But it also has that special Bergman touch. For example, during the overture, the camera focuses on a little red haired girl in the audience. She’s staring at some point ahead; we think it’s the stage. She doesn’t fidget or squirm. She sits perfectly still. We see a lot of this little audience member throughout the film. We get to memorize every hair on her head, every pore on her angelic little face and every innocent minute facial gesture on her face as she absorbs this opera. She doesn’t want to be at home playing with Barbies, torturing her little sister or watching TV. She likes opera! Maybe it’s Swedish thing.

Just as we think the overture is coming to a close, surprise, there’s more! There’s that darn little red haired girl again! But then we get to see more people in the audience. The audience is actually a gathering of the United Nations– it’s full men in afros, and women with bindis. There are people from every corner of the globe there! Mozart can unite these diverse people as they sit and stare at this cheese fest …in Swedish no less! (it was translated from its original Italian or German or whatever into Swedish.)

Our opera opens with Tamino, our hero, trying to slay a dragon Unfortunately, he’s very un-heroically getting his butt whooped. He sings a song asking God to save him from this dragon. Three young maidens come along and flog the dragon to death with a stick, while Tamino lies there unconscious. It turns out that the maidens were working for the Queen of the Night, who wants to enlist brave Tamino’s help in rescuing her daughter who was abducted by the powerful Sarastro.

Tamino runs into Papageno, whose main occupation is to be jolly, chase women, play the pan pipes and catch birds. They team up and set off to rescue the princess. The three maidens give them a magic flute and a set of magic bells to help them conquer whatever hardships they encounter. Tamino and Papageno split up to look for the princess.

Papageno finds Pamina, the princess, and rescues her from the evil clutches of The Moor. I didn’t recognize him as being such, seeing as he was played by a regular white guy, but whatever. Pamina rejoices at being freed from the Moor, and falls in love with Tamino, even though he didn’t really do anything. Three little blonde haired boys that look like Hanson keep appearing in a hot air balloon and sing pep talks at them but also don’t divulge any useful information that would help them achieve their goals.

Eventually we realize that Sarastro is actually a nice benevolent guy who’s in charge of a cult of super holy people who revere him as a god. It’s actually the Queen of Night who’s bad. And Sarastro is Pamina’s father! The Queen is annoyed at him, and commands Pamina to kill her father. Torn between loyalty to each parent, Pamina sings about the woes of being in the center of a messy custody battle. Sarastro invites Tamino to become the next cult leader after he retires. Tamino first must endure walking through a cave filled with fire and weird naked demons doing interpretive dances inside. He triumphs over this task by playing the magic flute, and thus the fire doesn’t touch him. Sounds like cheating to me! I mean, all of the other cult members survived this ordeal without the use of magic or woodwind instruments! Bur anyway, the Hanson boys in the balloon appear again and everyone lives happily ever after. And then we see that little red haired girl again…

Snow Falling on Cedars

Ok, I’ll buy the calendar, can we get on with the plot?
Starring: Ethan Hawke, Youki Koudoh, Rick Yune, Max Von Sydow

This film wasn’t exactly cheesy, per se, but it was presented in an extremely cheesy manner. The story itself was interesting– Ishmael, a white guy in the 1950′s Pacific Northwest (Ethan Hawke) is dumped by his Japanese childhood sweetheart (Youki Koudoh) for a Japanese guy (Rick Yune). The Japanese guy is now on trial for murder in an extremely racially biased case, and Ishmael has evidence to prove he’s innocent. Will he let the past slide and do the right thing? Or will he let bitterness well up inside him until he gets back at the girl for dumping his ass? It’s an interesting story, with dialogue that only bordered on corny a couple of times, but didn’t really go overboard.

However, the entire film looks like a giant Calvin Klein commercial. It’s gorgeous to look at. I spent the first few moments gazing in awe at the panoramic views of snow-covered trees and pebble beaches. There are washed-out slow motion battle scenes of dead soldiers lying on beaches with waves lapping at their bodies. And there’s the fish imagery. Why do we keep seeing washed out images of dead fish? Probably generations of film students will explore this, or maybe it’s already obvious to you and not to me, not being a film student.

Anyway, all of the photography is completely breathless, until you realize that it seems like it’s been eternity since we’ve had any plot development. Something will happen that’s central to the plot, and then we are subjected to a ton of artsy montages of beautifully dripping trees and flashbacks of little kids laughing in the sunlight in strawberry fields. It actually gets irritating after a while. It’s really distracting, at any rate. I was thinking OK, OK, I’ll buy the next Sierra Club calendar– when do we see the movie? I kept waiting for the words “Obsession by Calvin Klein” to pop up on the screen.

All in all, it was gorgeous to look at. If they wanted to make Koyaanisqatsi III with the images that would be fine. I wouldn’t be writing this at all if they had made two separate films, or even one with only a few artsy shots. But I suppose if you took all of the artsy imagery away, the film would be about 15 minutes long.

Terminator 2: Judgment Day

Insert your own catch phrase here.
Starring: Arnold Schwarzenegger, Linda Hamilton, Edward Furlong

“Is this the one where he says ‘I’ll be back?’” “No, it’s the one where he says ‘hasta la vista, baby.’” That’s what I remember this film by, anyway. That and the fact that the plot gave me a headache. Wait– if the kid is all grown-up in the future, and sends a guy back in time to protect his mother, and the guy impregnated her, and she got pregnant with him, how could he have gotten there in the first place? I think this type of reasoning is supposed to be trippy or something. Personally, I couldn’t decide if it was supposed to make you think, or if the screenwriters were just on crack.

One of the most fun things about this movie was counting the product placements. In fact, the very first scene is of a Dunkin Donuts cup rolling across a parking lot. Aside from the product placements and the fact that 12 year olds were saying “hasta la vista, baby” ad nauseum after the film’s release, is the fact that it caused everybody to try to pronounce the name “Arnold” with the proper Austrian accent. Ah-nood. Aw-nud, Ah-nud. Everyone is suddenly a linguistics expert.

But this has nothing to do with the plot. basically, lots of stuff blows up. Catch phrases are tossed about as freely as bullets, and more stuff blows up. Occasionally, there’s an attempt at tenderness and humor, but it was just an excuse to not spend the entire film blowing stuff up. There’s really nothing else I can say!

Total Recall

Am I out of my mind? Or were the screenwriters when they wrote this?
Starring: Arnold Schwarzenegger, Sharon Stone, Rachel Ticotin

What if you could wake up and discover that you weren’t really who you thought you were, and that your whole life was really an implanted false memory? Personally, I’d be overjoyed. However, when Douglas Quaid (Schwarzenegger) accidentally discovers that he’s really not your average jackhammer operator married to a lithe, blonde sex fiend (Sharon Stone), he gets a little upset. His journey of literal self discovery takes him to Mars, where he hangs out in fragile domed cities.

Unfortunately, whenever anyone fires a gun (which is often), everyone gets sucked out into the arid vacuum. In a couple of occasions, we see people die of asphyxiation, which causes their eyes to bug out in a graphic manner. I liked that part the best! It turns out that the fragilely glassed in cities are all the work of the Bad Guy, who is also the reason that most of the lower classes on mars are mutants. The Mutants are in the midst of rebelling against the bad corporation’s evil oppression, and Douglas learns that he was once a key player in the resistance. Or was he? Was this all orchestrated by the corporation?

Douglas meets his ex-girlfriend, Mars’s hottest hooker, and they team up to fight crime with the help of the Token Black Guy mutant cab driver. As is the fate of the Token Black Guy in movies, he meets an untimely demise, his last words being “I’m gonna drill you, sucka!” as he attempts to grind them to death with a futuristic rock drilling machine.

It turns out that the bad guy is keeping an ancient nuclear device a secret. This device could provide plentiful air for all of the inhabitants of Mars by drilling the planet’s ice core, and releasing the oxygen from it. This seems like a seriously bad idea to me– talk about non-renewable resource! It seems like a planet’s core would come in handy, but I’m not physicist, maybe it’s plausible.

Anyway, this film is full of fight sequences, and the basic Ah-nood style one-liners. A definite must for fans of large Austrian men.

Eye of the Beholder

Match made in Heaven, or Freudian nightmare?
Starring: Ewan McGregor, Ashley Judd, Patrick Bergin, k.d. lang

I didn’t hate this movie as much as everyone in the audience when I saw it. As I was walking out, I heard many comments along the lines of, “a waste of film” and “a real waste of 2 hours of my time. I could have been shopping.” I liked it. It did have cheesy moments, I’ll admit…For example, The fact that Joanna (Ashley Judd), the main character’s last name is Eris is a bit cheesy– at least I thought it was corny and obvious (Eris being the goddess of discord that follows Ares, the Greek god of war around, causing fights and mayhem and Joanna goes around killing people). However, I was just informed that most people wouldn’t pick up on this. Oh well. I’m a nerd. We’ve already established that fact.

Joanna’s main function is to go around alluring men into her clutches and then killing them. Every so often she has flashbacks of her daddy and Christmas. As she’s killing someone, she sobs “Merry Christmas, Daddy!” Supposedly it’s because her father walked out on her on Christmas when she was little that turned her into a psycho killer. My dad forgot to call me on my birthday once, does this give me license to lure my boss to his death? Please?

Ewan McGregor plays a nameless reclusive techno-geek private eye known as “the Eye.” He follows Joanna around and elaborately spies on her with all sorts of nifty gadgets. He’s like what would happen if James Bond were in Christopher Reeve’s Rear Window. He becomes obsessed with Joanna, and follows her around the country, charting his progress by buying a new souvenir snow dome for every new city. I like snow domes.

So anyway, “The Eye” gets more and more obsessed with Joanna, and then we discover that his wife disappeared with his daughter a few years back. His daughter is haunting him now– she actually appears in weird places, and they have conversations. He’s a “daddy without a little girl.” Joanna is a “little girl without a daddy…” match made in heaven…or Freudian nightmare? You decide! Don’t miss the spectacular, um, ending. This movie doesn’t actually end. Nor does it fizzle out. It just sort of stops, and the credits roll. But whatever– at least the ending isn’t totally formulaic and predictable. It just doesn’t happen.

By the way, why does k.d. lang gets to have her name not capitalized? I think I’m going to change my name to sCOOTEr bUrCH.

Animal Farm

“Babe” meets “Lord of the Flies”
Starring: Patrick Stewart, Ian Holm, Julia Louis-Dreyfus, Pete Postlethwaite, Kelsey Grammar

I guess this isn’t technically a “futuristic” Dystopia, since it takes place in the past, but it contains all of the elements of that genre. Since there’s no “antiquated Dystopia” category, just deal with the inaccuracy!

The most sinister thing about this film is how they changed the ending. Sure, it wasn’t true to the book, but it actually managed to completely negate the entire book in the process. It was kind of creepy how the ending basically said “captivity and domesticity is best.” Hello? What’s the point of even making a movie out of the book, whose only point seemed to be to make a political statement, if you don’t make the political statement? Why not just make Babe III: Pig On Jones’s Farm?

They added other things in as well– hmmm, I don’t remember Farmer Jones gettin’ it on with the neighbor’s lecherous wife in the book. What was the point? Because I guess cute animals and violence aren’t enough to make a film anymore– even with lots of both, you still need a little boo-tay to round things off. Gee, I sound like one of those Christian network movie reviewers! But it’s true!

The animals themselves were pretty good in this, despite the sometimes cheesy computer graphics. How could Captain Picard not add an air of dignity to the voice of a pig–even a fascist pig? The addition of newsreels to the propaganda arsenal of the pigs is sort of cheesy as well. It’s sort of funny, though, when the pigs show a Nazi-like training film showing geese who are goose-stepping and singing a patriotic song.

All in all, the book was completely obvious in the message it delivered. Still, when you see it acted out on screen, the obvious message hitting home is, well, too obvious. I think they could have made the connection between farm animals and Soviet Communism a little more subtle, but whatever. The non-subtle nature made it grade-A cheese!

Hans Christian Andersen

I’ll bet you never thought one man’s thumb could provide so much entertainment
Starring: Danny Kaye, Farley Granger, Zizi Jeanmaire, Joseph Walsh

This is the story of Hans Christian Andersen (Danny Kaye), as he keeps singing to us (“I’m Hans Christian Andersen” is guaranteed to get stuck in your head for weeks). Hans is the village cobbler in a town so provincial, kites fly themselves. Hans delights the village children with his stories and songs so much they habitually ditch school to hang out with him and his self-flying kites. Unfortunately, the village parents are pretty irritated with this whole arrangement, and plan to force Hans and Peter, his young apprentice, out of town. Luckily Peter catches wind of this plan and is able to make Hans move to Wonderful Wonderful Copenhagen, Lovely old Girl of the Sea, before the crowd runs him out of town.

After many more songs and dance numbers, Hans gets thrown in jail for defiling a statue, and then gets a job to make a pair of ballet shoes for a whiny high-maintenance French ballerina named Doro (Jeanmaire) who is married to a harried perfectionist (Granger). Of course Hans falls in love with Doro. Anyway, Hans’s obsession with this prima donna causes there to be lots of ballet musical numbers– don’t miss Hans’s and Doro’s fantasy ballet wedding! Doro’s anti-gravitational see-through tutu wedding dress is extremely impressive!

Meanwhile, Peter the apprentice gets jealous of Hans’s affection for Doro and plots to put a stop to his fawning for her. Unfortunately, because Peter is an insufferable passive aggressive, he doesn’t let on what his problem is, and spends the second half of the film acting mysteriously bitchy. Hans writes the ballet “The Little Mermaid” for Doro and we get to see the entire ballet performed. You really get your money’s worth out of this film! you get a musical and a ballet for the price of one!

Basically the point of this story is that Hans is childlike himself, which is how he is able to tell such great stories. Unfortunately, it causes him to act retarded, which is why people are always making fun of him. However, whenever there is a small child around, Hans is able to turn a frown upside down with his stories. For example, when he is in jail, he looks out of the barred window, and sees a little girl playing in the nice garden outside the jail (aren’t all jails this nicely landscaped?). He paints a face on his thumb and proceeds to sing her a story about “Thumbelina.” The little girl stares transfixed at his thumb for the duration of the song. How many kids could you pull that stunt off on today!

Then there’s another classic moment when Hans takes aside a little bald boy whom all the other kids pick on. He tells him the story of the Ugly Duckling. He doesn’t mince words at describing how ugly the duckling is, and how much all of the other ducks hate it. Personally, if someone had told me this story when kids picked on me in grade school, I probably would have slugged them, since it is implied that I would have to grow up before people would stop picking on me. However, I’m grown-up, and people still pick on me…maybe I’ll reach swanhood sometime in my 30s. Let’s hope the bald kid had better luck!

Jesus of Nazareth

You’ve all seen them- the saint cards and velvet portraits of Jesus. Jesus, eyes searching to Heaven in that melancholy stupor. Jesus, who knows that the crown of thorns is coming his way. Well that’s exactly what he looks like in every frame of this film! He has the ethereal manner about him- even the Apostles are a bit scared. But even though he’s portrayed as being slightly insane, he’s still the same lovable old Jesus. Joseph and Mary are pleasantly Semitic looking in this one, though Jesus himself is as white as they come. If you’re into two-tape epics of biblical proportion, Jesus Of Nazareth is the one for you!

Krull

Starring: Ken Marshall, Lysette Anthony, Liam Neeson

This sci-fi/fantasy film almost has it all. It has a friendly cyclops, a beautiful princess in peril, a little boy, a wise old wizard, a spider lady who lives in a giant web, and an army of spikily armored monsters. However, it lacks a plot. This doesn’t make much difference, however, because the dialogue and sets are so wonderfully cheesy it’ll leave you feeling satisfied enough.

I think the point of the movie is to rescue the princess and conquer evil, but there’s probably a universal hidden message that Joseph Campbell would pick up on. People are dressed in a D&D aficionado’s medieval fantasy wardrobe, yet the evil beings have laser guns and space ship technology. The Glaive, the ancient weapon of Good (a ninja-star type of thing) saves the day, but I won’t spoil the rest of the movie for you!

Lifeforce

Starring: Patrick Stewart

Some vampire aliens come to Earth and impersonate humans, eventually taking over the dreariest, most badly lit gothic parts of London. Watching Captain Picard projectile vomit most of the blood in his body is the main attraction of this film. The giant eyeball looking at the unsuspecting Planet Earth on the video box is cool too.

Little Darlings

Starring: Kristy McNichol, Tatum O’Neal

A girl from the side of the tracks (Kristy McNichol) meets a pampered rich girl (Tatum O’Neal) at summer camp. Sounds like “The Parent Trap”, right? That’s why I rented this flick. Unfortunately, there were no singing numbers, as this film quickly becomes a race to see which of the two girls will lose her virginity first. Now the film becomes more like the “Kids” of 1981, a semi-gritty look at what teenagers’ lives are really like.

Since the camp is not co-ed, the girls must look elsewhere for the winner of their maidenhood. Kristy McNichol meets Matt Dillon on a school bus stealing excursion. Tatum O’Neal falls for her archery coach. Watch for the, um, ironic surprise ending.

Lost In Space

Warning… Warning… bad movie approaching…
Starring: Gary Oldman, the Guy from Friends

This film starts out OK enough- All of the original cast of the Lost In Space tv show got pointless cameos. I thought perhaps this would be a spoof of the original series. Unfortunately not. It was a draggy predictable sermon about how important family values are, even in space. There’s a cute space alien to provide comic relief, and to give something to put in Happy Meals. There’s also the evil Dr. Smith, played by Gary Oldman, who, in an alternate future evolves into part human, part space spider. The highlight of this film is getting to see Will Robinson all grown- up for a few minutes in an alternate future as a giant space nerd. And then the ending… Danger! Danger, Will Robinson!… Sequel approaching!

Rear Window

Starring: Christopher Reeve, Daryl Hannah

Don’t get me wrong. I’m all for handicapped rights. I firmly believe that all buildings should be wheelchair accessible, and sure, let them have all the good parking spaces! However, I do not believe that people have the right to use high tech multi-camera infrared surveillance devices to spy on their neighbors simply because they’re crippled and have nothing better to do with their time. Thus starts the remake of the classic 1954 Hitchcock thriller Rear Window. Gone are the days of Jimmy Stewart and his binoculars. Enter high-tech gagetry, and Christopher Reeve and his voice-activated computer and high-tech surveillance equipment, complete with cameras on both the second and third floors of his apartment for better peeping tom capabilities. In this made-for-tv version, we see Jason Kemp (Reeve)’s transformation from a workaholic architect to a quadroplegiac workaholic architect. In fact, the first half-hour or so shows his car accident, his heroic battle to regain enough use of his body to go back to work, how his company has slighted him just because he’s spent the past 6 months in a hospital… basically, it’s a handicapped rights propaganda film.

Enter Claudia, the Love Interest. Daryl Hannah is definitely no Grace Kelly, but even if I don’t compare this movie to the original, and take it simply as another made-for-tv thriller, she’s no Grace Kelly. In fact, there’s probably more chemistry between Ren and Stimpy then between her and Reeve. What would make her fall for a wheelchair bound workaholic peeping tom who can barely speak is not entirely clear. She gets really into the peeping tom bit too, and they bond over that. Call it love!

This movie also has other cardboard cut-out characters. For example, there is the Token Black guy. The guy in this case takes on the form of Antonio (Ruben Santiago-Hudon,) the physical therapist with the fake Jamaican accent. As follows the Rule of Movie Characters #437, Those possessing Caribbeanoid accents are always wise sages (or drug dealers). There is also a grumpy police detective (Robert Forster) who eventually saves the day. And of course there’s the Bad guy, the homicidal sculptor with the English accent. Did he kill his wife? We all know where the body is! You can’t fool us!

Another thing that absolutely astounded me about this film is the choice of window dressings the inhabitants of Jason’s apartment building choose to use. Every single one is clear. People in this building think nothing of undressing and doing other private things in front of uncovered windows. However, when they’re finnished dressing, they pull the blinds or curtains. Of course, the blinds and curtains are all made of the sheerest fabric ever invented and are totally transparent. Remind me to not hire this set docorater the next time I redecorate my apartment.

All in all, this was a very cheesy fun “thriller.” Don’t expect surprises, suspense or any dramatic merit. However, as a cheese fest, this movie is great!